Liminal Space: Difference between revisions
Created page with "Category:Paranormal Liminal spaces are the subject of an Internet aesthetic portraying empty or abandoned places that appear eerie, forlorn, and often surreal. Liminal spaces are commonly places of transition (pertaining to the concept of liminality) or of nostalgic appeal. Research from the Journal of Environmental Psychology has indicated that liminal spaces may appear eerie or strange because they fall into an uncanny valley of architecture and physical places...." |
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Liminal spaces are | [[File:Liminal Space.jpg|1080px|center]] | ||
==What is it?== | |||
Liminal spaces are an aesthetic portraying empty or abandoned places that appear eerie, forlorn, and often surreal. Liminal spaces are commonly places of transition (pertaining to the concept of liminality) or of nostalgic appeal. | |||
Research from the Journal of Environmental Psychology has indicated that liminal spaces may appear eerie or strange because they fall into an uncanny valley of architecture and physical places. An article from Pulse: the Journal of Science and Culture has attributed this eeriness to familiar places lacking their usually observed context. | Research from the Journal of Environmental Psychology has indicated that liminal spaces may appear eerie or strange because they fall into an uncanny valley of architecture and physical places. An article from Pulse: the Journal of Science and Culture has attributed this eeriness to familiar places lacking their usually observed context. | ||
Characteristics | ==Characteristics== | ||
Broadly, the term liminal space is used to describe a place or state of change or transition; this may be physical (e.g. a doorway) or psychological (e.g. the period of adolescence).[3] Liminal space imagery often depicts this sense of "in-between", capturing transitional places (such as stairwells, roads, corridors, or hotels) unsettlingly devoid of people.[4] The aesthetic may convey moods of eeriness, surrealness, nostalgia, or sadness, and elicit responses of both comfort and unease | Broadly, the term liminal space is used to describe a place or state of change or transition; this may be physical (e.g. a doorway) or psychological (e.g. the period of adolescence).[3] Liminal space imagery often depicts this sense of "in-between", capturing transitional places (such as stairwells, roads, corridors, or hotels) unsettlingly devoid of people.[4] The aesthetic may convey moods of eeriness, surrealness, nostalgia, or sadness, and elicit responses of both comfort and unease. | ||
Research by Alexander Diel and Michael Lewis of Cardiff University has attributed the unsettling nature of liminal spaces to the phenomenon of the uncanny valley. The term, which is usually applied to humanoids whose inexact resemblance to humans elicits feelings of unease, may explain similar responses to liminal imagery. In this case, physical places that appear familiar but subtly deviate from reality create the sense of eeriness typical of liminal spaces. | Research by Alexander Diel and Michael Lewis of Cardiff University has attributed the unsettling nature of liminal spaces to the phenomenon of the uncanny valley. The term, which is usually applied to humanoids whose inexact resemblance to humans elicits feelings of unease, may explain similar responses to liminal imagery. In this case, physical places that appear familiar but subtly deviate from reality create the sense of eeriness typical of liminal spaces. | ||
Peter Heft of Pulse: the Journal of Science and Culture further explores this sense of eeriness. Drawing on the works of Mark Fisher, Heft explains such eeriness may be felt when an individual views a situation in a different context to what they expect. For example, a schoolhouse, expected to be a busy amalgamation of teachers and students, becomes unsettling when depicted as unnaturally empty. This "failure of presence" was considered by Fisher to be one of the hallmarks of the aesthetic experience of eeriness. | Peter Heft of Pulse: the Journal of Science and Culture further explores this sense of eeriness. Drawing on the works of Mark Fisher, Heft explains such eeriness may be felt when an individual views a situation in a different context to what they expect. For example, a schoolhouse, expected to be a busy amalgamation of teachers and students, becomes unsettling when depicted as unnaturally empty. This "failure of presence" was considered by Fisher to be one of the hallmarks of the aesthetic experience of eeriness. | ||
Latest revision as of 01:34, 8 September 2023
What is it?
[edit | edit source]Liminal spaces are an aesthetic portraying empty or abandoned places that appear eerie, forlorn, and often surreal. Liminal spaces are commonly places of transition (pertaining to the concept of liminality) or of nostalgic appeal.
Research from the Journal of Environmental Psychology has indicated that liminal spaces may appear eerie or strange because they fall into an uncanny valley of architecture and physical places. An article from Pulse: the Journal of Science and Culture has attributed this eeriness to familiar places lacking their usually observed context.
Characteristics
[edit | edit source]Broadly, the term liminal space is used to describe a place or state of change or transition; this may be physical (e.g. a doorway) or psychological (e.g. the period of adolescence).[3] Liminal space imagery often depicts this sense of "in-between", capturing transitional places (such as stairwells, roads, corridors, or hotels) unsettlingly devoid of people.[4] The aesthetic may convey moods of eeriness, surrealness, nostalgia, or sadness, and elicit responses of both comfort and unease.
Research by Alexander Diel and Michael Lewis of Cardiff University has attributed the unsettling nature of liminal spaces to the phenomenon of the uncanny valley. The term, which is usually applied to humanoids whose inexact resemblance to humans elicits feelings of unease, may explain similar responses to liminal imagery. In this case, physical places that appear familiar but subtly deviate from reality create the sense of eeriness typical of liminal spaces.
Peter Heft of Pulse: the Journal of Science and Culture further explores this sense of eeriness. Drawing on the works of Mark Fisher, Heft explains such eeriness may be felt when an individual views a situation in a different context to what they expect. For example, a schoolhouse, expected to be a busy amalgamation of teachers and students, becomes unsettling when depicted as unnaturally empty. This "failure of presence" was considered by Fisher to be one of the hallmarks of the aesthetic experience of eeriness.
