Denver Airport -- Blucifer: The Blue Mustang and the Artist It Killed
Denver Airport -- Blucifer: The Blue Mustang and the Artist It Killed
[edit | edit source]The Sculpture
[edit | edit source]| Feature | Detail |
|---|---|
| Official name | Blue Mustang (also "Mustang") |
| Nickname | "Blucifer" (portmanteau of "blue" and "Lucifer") |
| Artist | Luis Jimenez (1940-2006) |
| Material | Fiberglass; internally lit |
| Height | 32 feet (9.75 m) |
| Weight | 9,000 pounds (approximately 4,100 kg) |
| Location | Pena Boulevard, adjacent to the main entrance of Denver International Airport |
| Eyes | Internally lit with red neon; glow intensely red at night |
| Commissioned | Mid-1990s; Pena Committee commission |
| Installed | 2008 -- two years after the artist's death; the sculpture was completed by Jimenez's studio after his passing |
| Inspiration | Wild mustang horses of the American West; Mexican muralist tradition (Diego Rivera, Jose Clemente Orozco); Jimenez's father, who ran a neon sign shop (explaining the red neon eyes) |
Luis Jimenez: The Artist
[edit | edit source]Luis Jimenez was a prominent Chicano sculptor based in New Mexico, known for his large-scale fiberglass works depicting working-class people, horses, and themes from the American Southwest and Mexican-American experience. His work was collected by major museums and his public sculptures stood in numerous locations across the United States.
He was commissioned to create the Blue Mustang in the mid-1990s as part of DEN's public art program. The project was enormously time-consuming; the final sculpture would weigh 9,000 pounds and require specialized fabrication work over many years.
The Death of Luis Jimenez
[edit | edit source]On June 13, 2006, Luis Jimenez was working in his studio in Hondo, New Mexico. A section of the Blue Mustang sculpture -- being moved within the studio -- shifted and fell. The falling piece struck Jimenez and severed an artery in his leg. He died of his injuries.
The sculpture that killed its own creator before it was even installed has contributed immeasurably to Blucifer's mythological status. The coincidence -- a sculpture commissioned for a conspiracy-laden airport, featuring demonic-looking red eyes, killing the man who made it before the airport could receive it -- is the kind of detail that conspiracy theory writing could not invent and not improve upon.
Blucifer's Appearance and Its Interpretations
[edit | edit source]| Feature | Jimenez's intent | Conspiracy/popular interpretation |
|---|---|---|
| Blue colour | Reference to the wild, free spirit of the West; inspired by bright Mexican muralist colours | Unearthly, supernatural colouration; associated with the supernatural |
| Red neon eyes | Tribute to Jimenez's father, who ran a neon sign shop; also conveying the fire and energy of the mustang | Eyes of Lucifer; demonic possession; the Four Horsemen of the Apocalypse |
| Rearing pose | Power, freedom, wildness of the American West | Aggression, menace, apocalyptic foreboding |
| Snake-like mane | Artistic stylisation inspired by Mexican muralist tradition | Medusa reference; serpentine evil |
| Scale (32 feet) | Monumental public sculpture appropriate for the airport's setting | Imposing, threatening, dominating the entrance |
The Four Horsemen Theory
[edit | edit source]The most specific apocalyptic reading of Blucifer identifies it as one of the horses ridden by the Four Horsemen of the Apocalypse from the Book of Revelation. The second horseman rides "a fiery red horse" with the power to cause men to slay each other. Blucifer's red-glowing eyes, combined with the horse's rearing posture, are cited as matching this imagery. Combined with the apocalyptic murals inside the terminal, proponents argue that Blucifer is the "welcoming committee" to an airport designed around end-times themes.
Will It Ever Be Removed?
[edit | edit source]DEN management has been unequivocal: Blucifer is staying. "About a decade after the structure was put up, the airport stopped receiving complaints to remove Blucifer," noted airport spokeswoman Alex Renteria. The sculpture has become the airport's most recognizable and most discussed feature -- a marketing asset whose removal would eliminate DEN's most distinctive landmark. The conspiracy theories are part of the attraction.
